At ANCO ATELIER, structure is never decorative.
It is a discipline.

Every decision - architectural, material, olfactory - is guided by restraint, proportion, and the refusal of excess. In this context, the integration of a sculptural work into the space was never intended as ornament, but as a continuation of the same philosophy.

The work Templul Furnicilor Umile by Liviu Balâc enters the space quietly. Carved in wood, marked by time, tension, and deliberate imperfection, it introduces a human counterpoint to the mineral rigor of the atelier. This gesture is intentional.

ANCO ATELIER is built around the idea of structure as an invisible force - the kind that sustains without announcing itself. In the same way, the sculpture speaks of collective effort, humility, and silent persistence. Its form does not seek attention; it holds it. It does not decorate the space; it anchors it.

Placed within an environment defined by Cloud White microcement and controlled light, the work becomes a moment of pause. A reminder that creation is not always about visibility, but about coherence. That rigor and emotion are not opposites, but parallel disciplines.

The presence of this sculpture does not shift the focus away from fragrance. On the contrary, it reinforces it.

Perfumery, when approached as a contemporary practice, shares the same values: patience, balance, and respect for structure. The scent is built layer by layer, much like the work itself - slowly, deliberately, without spectacle.

This integration marks the beginning of the EDITORIAL dimension of ANCO ATELIER. A space where objects, materials, and ideas coexist without hierarchy. Where silence is not absence, but intention.

In a landscape increasingly driven by acceleration and visual noise, we choose to slow down. To allow form to exist without explanation. To let structure speak.

This is not an exhibition. It is an alignment.